JM16 · Intermission · Judas Maccabaeus
Intermission
The house waits in blue, and white fills it from both wings toward the porch over five minutes, the lights' glow steady on the Temple, until the white meets in the middle and the set begins again.
5:00 · intermission
Judas Maccabaeus
About this scene
Five minutes before Judas Maccabaeus begins again. The house waits in the people's blue, and white fills it from both wings toward the middle of the porch, so the street can see how long is left; the blue and white of a tallit, with a few white lights stirring in the blue still waiting. Through all of it the lights' glow stays on the Temple, Porch Front, steady under the fill: the scenes play on every night of Hanukkah, and the glow is the same on each. Each minute a wave runs over the white and a harp marks it; when the white meets in the middle the whole house swells and settles back to the blue for the Overture.
The music is Handel's own, as at a concert hall: the waiting music is the quiet numbers of the oratorio, played softly from the set's own transcriptions (WAITING), each scene's notes as its excerpt has them. Each minute a harp spreads the chord sounding under it. Then the call back, with the first thing the oratorio plays: the Overture's opening bars, its dotted Grave, on horns and trumpets over bassoons and timpani, twice, from far then near, the last chord landing as the white meets in the middle.
For your own show
Five minutes between shows: the house stays lit and counts down to the next one. The FSEQ (v2, zstd, 40 fps) plays in Falcon Player on a house with the same layout; see About for how it is made.