EL19 · Show · Elijah
O Rest in the Lord
The angel wakes Elijah for the road to Horeb and sings him the stillest light in the set: O rest in the Lord. The people's candles return around him, and night falls on the mountain.
1:22 · with a spoken intro
Elijah
About this scene
The angel wakes Elijah for the journey to Horeb, sings him the stillest light in the set, and the people's warmth comes back around him before night falls on the mountain.
The scene opens where the last one ended: Elijah's amber low at the free end of Side, three silver angels beside him, the house keeping an even silver watch over the dust of the wilderness. The Angel sings, "Arise, Elijah, for thou hast a long journey before thee": the middle of the three lights grows and flares on every word while the other two fade, and Elijah's amber rises from sleep. "Forty days and forty nights shalt thou go to Horeb, the mount of God": the Angel goes ahead and Elijah walks after it, a step on every word, up Side toward the front of the house, while days and nights pass over the roofline, a warm wash on "days", a blue one on "nights", and far off on Porch Front the mount of God glimmers on "God".
"O rest in the Lord, wait patiently for Him, and He shall give thee thy heart's desires": the stillest light in the set. A soft rose-gold settles over the whole house and holds, with almost no motion: it breathes a little with the Angel's phrases, and Elijah's amber and the Angel's silver rest together on Side.
"He that shall endure to the end, shall be saved": the people's candles come back on Porch Left and Porch Right and spread outward along Left and Side until they stand around him, swelling with the chorus to the forte "end" and quieting for "shall be saved". Then night falls: the candles, the angel and Elijah himself fade into a dark slate over every run with heaven darker still, and a dry wind stirs the dust, which is how EL20 (The Lord Passed By) begins.
The music is Mendelssohn's own: the Angel's recitative No. 30 to "the mount of God", the first nine bars of the aria No. 31 and the first eight of the chorus No. 32, transcribed from the Novello octavo vocal score (the 1870 printing) into o_rest_in_the_lord.musicxml and timed by scripts/score_excerpt.py at the marked tempos. The Angel is played on oboe with violas under her, the people on strings with woodwinds doubling and horns on the held notes, the accompaniment orchestrated from the piano reduction; a production adds a soft timpani roll under the crescendo to "end" and nothing else.
For your own show
Short, bright pieces meant to be watched. The FSEQ (v2, zstd, 40 fps) plays in Falcon Player on a house with the same layout; see About for how it is made.