EL23 · Show · Elijah
Your Light Break Forth
The righteous shine forth, Elijah is promised again, and morning light breaks out of heaven and fills the house to the last Amen.
1:20 · with a spoken intro
Elijah
About this scene
The end of Elijah. The righteous shine, Malachi's promise that Elijah will come again, and the house filling with morning light to the last Amen.
The scene opens where the chariot left it, the whole house glowing gold, heaven warm on Porch Front and a last ember at the far end of Side, where Elijah went. "Then, then shall the righteous shine forth as the sun in their heav'nly Father's realm": the tenor's every note sends a warm ring out from the middle of the porch, the people's candles brighten on Porch Left and Porch Right, and on "shine" a sun-warm glow opens across Porch Front.
"Behold, God hath sent Elijah the prophet": a silver voice on Porch Front, flaring with every syllable, and Elijah comes back. His amber leaves heaven, runs down Porch Right toward the street and along Right to his old place, arriving on the forte chord of "prophet". "Before the coming of the great and dreadful day of the Lord": the house darkens, a slow red swells from heaven on "dreadful", and falls away to a quiet C major on "Lord".
"And then shall your light break forth as the light of morning": the orchestra's rushing scales throw streaks of light out from the porch to both ends of the house, and morning light breaks out of Porch Front and spreads. "Thou fillest heav'n with glory": heaven blazes. Then the Amen, the bass rising a semitone at a time under it: every step pushes the morning light further out along the roofline, the sopranos' notes glinting on it, until the whole house is full, warm and still, held through the last chord.
The music is Mendelssohn's own: No. 39 bars 1-6, No. 40 to "the day of the Lord", and the first five and last eighteen bars of No. 42, transcribed from the Novello octavo vocal score into your_light_break_forth.musicxml and timed by scripts/score_excerpt.py at the marked tempos. The tenor plays on horns and violas, the soprano on flutes and oboe, the chorus on strings with woodwinds doubling, and the Amen on the full orchestra with the organ Mendelssohn's score has; a production adds a harp as Elijah descends, a timpani roll under "dreadful", a cymbal swell into the light, and timpani under the last Amen.
For your own show
Short, bright pieces meant to be watched. The FSEQ (v2, zstd, 40 fps) plays in Falcon Player on a house with the same layout; see About for how it is made.