EL14 · Show · Elijah
Thanks Be to God
The rain falls from heaven down every run and washes the drought away. The people's candles burn warm again, and the waters rush along the whole roofline: the end of Part One.
1:22 · with a spoken intro
Elijah
About this scene
The rain comes, the drought is washed away, and the waters rush along the whole house.
The scene opens where the last one ended: the storm cloud dark over every run, churning, Elijah's amber on Right, the people's candles low in the dust of the drought. The orchestra's first chord breaks it: rain. Blue streaks fall from Porch Front, heaven, out along every run toward the street and the free ends, faster and thicker with every bar, and where they fall the ochre of the drought washes away and the storm cloud thins. "Thanks be to God! He laveth the thirsty land": the basses first, then the whole chorus, and with every phrase the people's candles on Porch Left and Porch Right warm back up, until they burn at full warmth for the first time since the curse.
"The waters gather, they rush along!": the orchestra's rushing sixteenths become wave trains racing the roofline from the sea at the free end of Right round to the far end of Side, crests of white spray on every sforzando. "The stormy billows are high, their fury is mighty": the waves rise high and hard, the whole house heaving in blue, each furious run of the orchestra a surge with spray thrown off its crest, and the waves hold still in the bars where the orchestra drops out and the chorus sings alone. "But the Lord is above them, and Almighty": heaven on Porch Front fills with a calm silver light, and under it the waves smooth out, slower and lower, into an even shimmer.
Then the last page: the orchestra's run down from on high, and "Thanks be to God! He laveth the thirsty land!" sung in octaves by the whole chorus, the house full of warm candlelight over the blue, swelling on every word. On the last held chord the rain falls quiet and the house settles: a calm rain-blue bed on every run, the people's candles at full warmth, Elijah's amber at his place on Right and heaven a soft silver. The end of Part One.
The music is Mendelssohn's own: three passages of No. 20, transcribed from the Novello octavo vocal score (1870) into thanks_be_to_god.musicxml and timed by scripts/score_excerpt.py at the marked tempo. The chorus is played on strings with woodwinds and horns doubling, the orchestra's part on the full orchestra with brass and timpani on its sforzandos. A production adds the weather: rain on the roof, thickening to a downpour, thunder rolling off into the distance, the rush of the waves.
For your own show
Short, bright pieces meant to be watched. The FSEQ (v2, zstd, 40 fps) plays in Falcon Player on a house with the same layout; see About for how it is made.